PRECARIOUSNESS OF FREELANCE JOURNALIST DURING COVID-19 PANDEMIC IN
INDONESIA
Rana
Akbari Fitriawan1, Budi
Irawanto2,
Oki Rahadianto Sutopo3
Universitas Gadjah Mada
ranaakbari@mail.ugm.ac.id1,
budiirawanto@yahoo.com2, oki.rahadianto@ugm.ac.id3
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Abstract:
Freelance
journalists in Indonesia have a higher level of precariousness
in terms of
occupational health and safety, as well as socioeconomic conditions during the
COVID-19 (Coronavirus Disease, 2019) pandemic. The vulnerability of exposure to
the virus is caused by non-fulfillment of work equipment standards, health
protocols when interacting with news sources, and inadequate health facilities.
Another issue threatening freelance journalists is the deterioration of global
economic conditions during the pandemic, which has had a devastating impact on
corporate revenues. As a result, freelance journalists are also threatened with
dismissal from work, late payment of wages, or even not paid at all. Referring
to the concept of labor precariat from Guy Standing, this study aims to
determine the factors that contribute to the vulnerability of freelance
journalists in Indonesia and the strategies used to survive amid a pandemic
that has not yet ended. This research uses a qualitative approach by observing
the practice of journalism physically and in cyberspace and interviewing
several key informants. The findings of this study show that internal company
factors also adversely affect the condition of freelance journalists. Freelance
journalists are often considered not an important part of the company, so some
need to be equipped with standard equipment, adequate security equipment, and
health insurance. So, to deal with this condition, some freelance journalists
try to survive by applying individual tactics such as doing business on the
sidelines of their journalistic activities. In addition, they also apply
institutional strategies by strengthening networks through associations and
professional communities.
Keywords: Labour,
Journalism, Precarious
Corresponding:
Rana
Akbari Fitriawan
E-mail: ranaakbari@mail.ugm.ac.id
INTRODUCTION
The COVID-19 pandemic has caused many social problems,
including in Southeast Asian countries, especially Indonesia. Since the first
case confirmed by President Joko Widodo on March 2, 2020, two Indonesian
citizens were infected by a previously infected Japanese citizen (Psp/Ugo, 2020),
Indonesia has become one of the countries exposed to a large number of cases
and increasing number of deaths. As of mid-November 2021, more than 4.25
million confirmed citizens and 144,000 people died (Data, 2021).
One of the impacts of this pandemic is the
strengthening of precariousness to journalists, especially freelance
journalists (Quandt & Wahl-Jorgensen, 2021). Apart
from paramedics, freelance journalists are workers who still have to carry out
their activities amid this pandemic and are very vulnerable to being infected
with the COVID-19 virus (Sharifi, 2020). Data
released by AJI shows that around 294 journalists were infected with Covid-19
during 2020. However, in reality, this figure could be higher, considering that
not all journalists are willing to report their cases. (Ni’matun, 2021).
A few months after this pandemic spread to various
countries, the International Federation of Journalists (IJF) released the
results of a survey entitled The Crisis facing journalism in the face of
COVID-19 (Kokhanska, 2022).
Involving 1,308 respondents in 77 countries, this survey found several things
that contributed to the vulnerability of journalist workers in carrying out
reporting in the COVID-19 emergency (Wadhar et al., 2023). It is
said that the Covid-19 pandemic has confronted journalists with various
threatening crises. These include salary cuts, termination of employment,
serious obstacles in carrying out journalism duties, deteriorating working
conditions, and even worse psychological conditions for journalists. From the
survey conducted on April 26-28, it was revealed that 65.4 percent of the
respondents had experienced salary cuts, layoffs, and worsening living
conditions (IFJ, 2020).
A few weeks after this IFJ's finding, in May 2020, the
Alliance of Independent Journalists stated that the successful handling of
communications determined the successful handling of the COVID-19 pandemic. AJI
stated that the media's response in managing information plays an important
role in increasing public awareness and what the community should do to prevent
the transmission of COVID-19. In this case, public communication is an
inseparable part of journalistic work, especially in packaging and
strengthening information and convincing the public of government policies.
Thus, attention is needed to the work of journalists (Lee et al., 2021).
The Indonesian government has declared a public health
emergency in large-scale social distancing (PSBB), which implies limited space
for community activities, including journalists (Masduki & Prastya, 2022). This
situation makes it even more difficult for freelance journalists because they
do not get monthly wages like journalists with employee status but completely
depend on the amount of news that is published in the media. If they work
outside the home, they will get paid.
Another problem arose approximately two months after
the government officially announced Covid-19. Dozens of journalists have
experienced salary cuts, delays in payment of wages, and even dismissals (Trifonova et al., 2022). In just
two months, 26 journalists were fired, 21 journalists were temporarily laid
off, and 11 journalists experienced salary cuts or delays in payment of
salaries. In October 2020, this figure continued to increase because several
media such as Tempo, Jawa Pos, The Jakarta Post, and kumparan.com
carried out the practices of delaying salaries, cutting salaries, and
unilateral layoffs not by the Indonesia Law Labor - act 13 of 2003 (Estella, 2020).
This paper aims to determine the factors that
contribute to the precariousness of freelance journalists in Indonesia and the
strategies used to negotiate and survive amid an unfinished pandemic.
METHOD
In this study, we carried out several steps concerning
new ethnography. This method seeks to be "fairer" to the realities of
the other's life. However, due to limited access to informants due to the
COVID-19 pandemic, we added the virtual ethnography method, namely by observing
the activities, experiences, interactions, and emotions of freelance
journalists when practicing journalism. We observed the culture and cultural
artifacts of journalists in cyberspace and interviewed some of them as key
informants.
Data was collected through interviews with several
freelance journalists and representatives. The main sources in this research
are freelance journalists in Indonesia consisting of 5 women and five men. We
also interviewed several sources from the top three journalist associations in
Indonesia, namely the Indonesian Journalists Association (PWI), the Alliance of
Independent Journalists (AJI), and the Indonesian Television Journalists
Association (IJTI). We also collect and elaborate secondary data from the
literature review, official information from the government, several
regulations, and other documents that support this research.
RESULT AND DISCUSSION
Before
discussing the precariousness of freelance journalists during the pandemic, it
is important to describe the relations and hierarchy in the newsroom structure
to know exactly where the freelance journalist stands in the media industry
where he works. Harrower, an editor and columnist who has won several awards,
said that Publications are like armies. They need clear lines of authority to
avoid chaos. Therefore, in every media organization, there is always a clear
hierarchy and relationship between its structures (Ferrucci & Kuhn, 2022).
Referring
to Harrower's description, we present Figure 1 of the hierarchical structure of
a newsroom in a medium-sized media industry (Rouse et al., 2022). As for
larger or smaller companies, the number of tables may vary. This figure shows
three structural levels. At the first level or the very top, there is The
Publisher, who is the main boss and leads all departments to ensure company
profits, which means that there is always a political economy interest in
publishing a product in the form of news. At the lower level, there are several
positions, such as Production Manager, Circulation Manager, and Advertising
Manager. At this level, all managers are in charge of supervising and
coordinating all parts running according to plan. In the third layer, there is
The Editor, who is responsible for the production process in the newsroom and
whose job is to give final consideration to the selection of stories and news
philosophy. He oversees several editors, including the Online Editor, Photo
Editor, Copy Desk Chief, Features Editor, and Sports Editor. In contrast, at
another table, a Copy Desk Chief oversees editing.
At
the lowest layer in this editorial structure, there are journalists,
photographers, or writers who have an asymmetrical relationship with the third
layer described above. They consist of Reporters and Producers who carry out
the assigned assignments and write them in the form of stories that will be
published in the media. There are also Photographers and Graphic Artists. Photographers
are tasked with tracing an event and producing it in photos. At the same time,
Graphic Artists create graphics or page designs on pages.

In
Figure 1, we can see that the relations in a newsroom are hierarchical and
top-down. In addition, this figure does not depict other journalists who have a
relationship with the editor. Because there are still actors who work as
journalists but need to be mentioned in this structure, they are
correspondents, contributors, wires, or stringers whose identities are often
confused with "freelance journalists".
Correspondent
refers to someone who sends a letter containing news from a location far from
the media company, such as a capital city or commercial center. According to
Nerone, correspondents usually do this as a hobby, sometimes receiving a fee
per article, but often writing for free, perhaps with an interest in a future
career (Simonson et al., 2013). At the
same time, the contributor refers to someone who carries out activities like journalists
in general, with more legally bound relationships than a correspondent. In
Indonesia, the term contributor is generally used for freelancer journalists
who work in electronic media, both radio and television. Outside of this term,
there are two others, namely wire and stringer, which are usually given to
freelancer journalists who work for foreign media.
Even
though they are known as 'freelance journalists', in our view, this term may
not be correct because if "freelance" refers to free time for
journalists to carry out their duties, we find a different reality. All the
informants we met work with that status, and they work full-time. Thus, even
though they are freelance journalists, they work as full-time journalists. Even
though they are known as 'freelance journalists', in our view, this term may
not be correct because if "freelance" refers to free time for
journalists to carry out their duties, we find a different reality. All the
informants we met work with that status, and they work full-time. Thus, even
though they are freelance journalists, they work as full-time journalists.
According
to our observations and interviews, we found an unequal working relationship
between freelancer journalists and the media where they work. This discrepancy
is because our informants need to have employment contracts, ID cards, or both.
We then divided them into four classifications, as shown in Figure 2.
Classification A is freelance journalists who have a contract and are also
given an ID card. Journalists who are included in this classification can work
more safely because the employment contract can be a guarantee for their
relationship with the media company that employs them. An employment contract
is a written agreement between a journalist and a company that contains the
working conditions, rights, and obligations during his work. By the Indonesian
Labor Law, companies must provide them with an employment contract before their
work begins.
The
second classification is B, where journalists who fall into this classification
need a clear employment contract with the company. However, journalist B was
still given an ID card as a form of identification for his needs, especially
when conducting interviews with informants.
The
current classification is C, namely journalists who have a work contract but do
not have an ID Card. At the same time, classification D is a journalist who
does not have either a work contract or an ID Card. This is the most precarious
classification.

We
see this classification as being similar to the precariat working class
described by Standing. Referring to the classification described by Standing,
we see strong and similar characteristics between the precariat group and the
freelance journalists who are the subjects of this research. In the structure
of an editorial, they are at the bottom of the hierarchy and have an unequal or
unbalanced relationship with the editorial structure to whom they must submit
their work.
We
found several freelance journalists whose work is still being determined. They
carry out activities such as full-time employment. However, in their daily
life, there are no benefits or social security, protection of security,
completeness of work equipment, uncertainty of wages and standards below living
wages, and precarious dismissal.
Pandemic
and precariousness of freelance journalists
Lack of standard equipment
We
found the vulnerable situation that freelance journalists faced when we
observed their activities since the government declared a public health emergency
in the form of large-scale social distancing. The limited space for journalism
makes them unable to work productively. Journalism is carried out from their
homes by interviewing sources via telephone, chat, or government-owned YouTube
and social media channels (Goeritman, 2021).
Freelance
journalists also experience other precariousness when interacting with news
sources in hospitals or other places that could be a source of the spread of
this virus. Some of the informants in this research did not have adequate
personal protective equipment such as masks or PPE. In general, journalists do
not get these facilities from companies, and they cannot afford to buy them
themselves, considering the price of personal protective equipment, which is
relatively expensive and difficult to obtain in the market. Such a situation is
certainly very dangerous for their safety.
"The scarcity of masks
forced me to use one mask for three days. Every time I go home from coverage,
the side of the mask that sticks to my face is sprayed with alcohol, even
though this is not medically recommended. The next day, I use it again after
first layering the part of the mask that is attached to the face with a piece
of porous tissue" (J1, male, interview)
Another informant who works for a foreign media said he
was forced to buy his own PPE in a jacket equipped with a mask and hand
sanitizer to reduce the risk of exposure (virus). He convinced himself that the
jacket he wore was of better quality because it was made of a different
material than PPE. He believes that his jacket can ward off the COVID-19 virus
like ordinary personal protective equipment.
Together with other journalists, he often covers the COVID-19
outbreak, including taking pictures of blood sampling activities using the
rapid diagnostic test (RDT) method via a drive-thru. The government conducted
tests on residents to determine the possibility of the spread of Covid-19.
Another activity that is also vulnerable is reporting on funerals for patients
who died and were buried in special cemeteries for COVID-19 patients.
"The
next challenge was when I had to cover a special funeral for COVID-19 corpses.
Funeral workers must wear level 2 PPE when burying bodies with COVID-19
procedures. At that time, hazmat clothing or surgical gowns were not easy to
come by. So, for the solution, I wore a raincoat made of plastic 'kretek' for
Rp 10,000. Once used, throw it away immediately. Another option is to use a
raincoat, which can be washed again after use. Of course, I washed it with soap
and disinfectant." (J2, male, Interview)
In order to be able to continue their work, some of our informants
then tried to find an alternative using self-made PPE at a lower price. This
was mainly done a few months after the government announced the first case in
March 2020. At that time, people were buying masks and other health equipment,
so there were no more store stocks. Even if there were, they were very
expensive, and the informants could not afford to buy the tools.
From this explanation, we understand that several freelance
journalists who become informants do not get facilities that are by the health
protocol standards set by the government, namely 3M: Wearing masks, washing
hands, and keeping social distancing.

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The unequal relationship between freelancer journalists
and the media industry, as we explained earlier, has resulted in the absence of
guarantees for health services, especially during the COVID-19 pandemic.
Indonesian Journalists Association's data shows that around 400 thousand
journalists still need health insurance (BPJS), decent salaries, or tax
allowances (Ford & Ward,
2021).
When
there is the COVID-19 pandemic, what journalists need is increasingly open.
Many of our members are still isolated, and many are worried. This is partly
because there are still many media who pay the journalists by way of
contributions to the news that they submit to the media (Hilman et al. of West Java Indonesian Journalists
Association, interview).
Some of the informants in
this study had been infected with the COVID-19 virus, and they had to do
self-care without getting help from the company where they worked. Two female
informants admitted that they did not receive any health assistance even though
they had reported to the editor that they had been infected with this virus.
Moreover, these two informants already have children, and their children have
the risk of being infected as well. During the quarantine, they cannot work
because they have to take complete rest.
The strategies to negotiate
and survive
Several efforts have been put in place by freelance
journalists to survive during the pandemic, but it cannot be known when it will
end. The first strategy is that some are looking for additional income by
starting a small business run by their family. One of them is done by a private
television correspondent. He started a business selling chicken meat and eggs
after completing his activities as a journalist.
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Another journalist decided to choose a strategy by joining the
Journalist Association. Informants feel safe because they can gather with
freelance journalists. There are even informants who use ID cards as
association members as substitutes for press cards from their news
organizations. This association is also important as a force when it comes to
negotiating with companies about unpaid wages or dismissals. Unions must do
this role, but the number of unions in media companies in Indonesia still needs
to grow. Sasmito Madrim, chairman of the Alliance of Independent Journalists, said
that out of around 40,000 media outlets in Indonesia, only 40 have unions. So,
laborers often encounter difficulties when demanding their rights because there
is no place to fight for them.
This
pandemic period can be a momentum for journalists to form unions because there
are many employment cases such as dismissals, unpaid wages, and others, so all
of this can be "capital" to move to form a union. (Sasmito Madrim,
Chairperson of The Alliance of Independent Journalists, interview April 2021).
Some of the strategies
carried out by freelance journalists are a form of rejecting precariatisation,
both from internal parties in the media industry and from outside parties.
However, it is hard to argue that the deteriorating global economic conditions
during the pandemic adversely affected the company's revenues.
CONCLUSION
The
COVID-19 pandemic that began to spread in Indonesia in March 2020 has affected
the media sector, including freelance journalists (Hayes & Silke, 2018). We find
their position in the media where they work is very precarious, for example,
because their status is not formally recognized, especially not having a work
contract and ID card. This has even worse implications when conditions such as
a pandemic hit them. The absence of this formal status causes them not to be
equipped with work equipment and adequate security. Even though as journalists,
they are required to keep working in the field, conducting observations or
interviews with resource persons, all of which pose a risk to the spread of the
COVID-19 virus. In addition, their vulnerable position causes them not to have
health insurance. When our informants were exposed to COVID-19, they were not
provided medical facilities by the company. They have to self-medicate by self-quarantining
at home until recovery so they can work again. When they have to rest to
recover their body condition, they cannot work on reporting. Thus, they do not
have income in honoraria from the news they produce, even though they have to
survive, especially for those who are married and have children.
This bad
condition can be overcome by assisting the professional association of
journalists. The three largest journalist professional associations in
Indonesia continue to seek assistance in the form of health equipment such as
masks and hand sanitizers. For members exposed to the virus and must be treated
or quarantined, the association assists such as cash, food, or medicine. To
deal with this ongoing situation, some of our informants started a business at
home, either related to their status as journalists or completely new. Our
informants, among others, produce equipment or jackets or personal protective
equipment that they sell to other journalists. Another informant is trying to
survive by starting a business selling eggs and chicken meat in front of his
house. They do this business on the sidelines of their work as journalists. From
this study, we offer suggestions that freelance journalists keep strengthening
the community through professional associations and the journalist community.
Thus, their role as an important part in overcoming this pandemic is still
strong in these uncertain conditions. On the other hand, starting a business
can be an option as long as it does not interfere with the independence of
journalists in carrying out their duties.
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2023 by the authors. It was submitted for possible open-access publication
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